Deadline is an industry news site, so the comments tend to be filled by people from the industry (or at least claiming to be).

It’s real hard to interpret all the corporate jargon, but…I think in the near term, nothing’s likely to change. The guy was already overseeing drama, including Star Trek, and is continuing in that role. The new bit seems to be “emphasis on franchise building and leveraging and identifying new and existing IP across broadcast, streaming and other emerging media,” which is…vague, but obviously could have implications for Trek. Maybe they’ll lean into alternative projects like the Khan podcast series, or that Picard audiobook they did a while back.

And maybe it could involve coordinating with the film division for the next theatrical movie?

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Well, Bashir (and I think his buddies from the Institute?) are proof that it’s possible. I’ve never delved into novels or other things about the Eugenics Wars, though.

Controls’ file says that Georgiou was brought to the prime universe in 2257, ”but after a few years we lost contact.” The events of season two of DIS take place almost immediately after season one, unless there were ”a few years” between the resolution of the Klingon war, and the USS Discovery setting out from Earth to pick up her new captain on Vulcan in “Will You Take My Hand?”.

I wonder if our boi Ash Tyler had something to do with that when he covered up what happened to Discovery (and, I guess, to Leland). Maybe he decided to remove Georgiou from that whole situation and falsify a record saying she disappeared some time later.

I also wonder if Ashy T. is still involved with S31 at this point - the man’s a Klingon, so he’s got the life span for it.

I really think we need another reference point - I wouldn’t say any of the “new” series seem particularly like Star Wars, aesthetically or tonally.

I also don’t think Star Wars should have a monopoly on certain types of storytelling, but that’s neither here nor there.

It’s still on track to close within the next few months.

I have my doubts that the tv side of Trek will be affected too much, but maybe the new management will be able to remove some of the roadblocks on the theatrical side.

This is pretty thoughtful, and I get where you’re coming from.

I do, however, think that the newer shows are frequently aspirational…but the focus has shifted toward doing the right thing in an environment that makes it difficult. There’s a lot more emphasis on struggle, in a way that hasn’t really been explored outside of DS9, and perhaps certain parts of ENT. That works for me, as I think it’s the more salient message for the times we live in: there are always going to be struggles, the greatest dangers often come from within, and doing the right thing can be incredibly hard.

we rarely ever get any breathing room downtime with the characters!

I definitely get this - it’s unfortunately something we’re going to have to learn to live with, because I don’t see longer seasons coming back any time soon (and honestly, they come with their own sets of drawbacks).

We’re looking in to it, but I’m not sure when a solution may be found. It’s actually worse than you know when it comes to lemmy.world content making it to us - think days, not hours.

Yeah, it’s wild.

The Fugitive Doctor has really caught on with people, and RTD has embraced the Timeless Child concept, so…maybe?

Yeah, it’s a double-take of a sentence.

“Kerblam” was an interesting-but-flawed episode, and my memory of “Praxeus” is…fuzzy, at best.

we didn’t really learn much more about her than we already knew.

Yeah. I said in my original comment that the Georgiou storyline is the strongest one, but it still feels very much like the first chapter that sets up future development, rather than something that pushed her story very far forward. It basically positions her as realizing that maybe a “monster with a conscience” isn’t so useless after all, and that she can work to atone for her past misdeeds.

Which is fine…but it’s still a setup for future stories that may never happen. It very much feels like a series pilot, rather than a standalone movie.

I completely agree with all of the other stuff you mention about the other characters, and I think it just screams, “we tried to compress an entire season’s worth of story into a single movie.” A lot of stuff happens, but everything that would get us invested in the characters was cut.

The Fuzz reveal makes a lot more sense if if happens in, say, episode 7 out of 10.

But that being said, we can see Starbase 17 (two of them, in different locations!), Starbase 25 and Deep Space 3 across the treaty line

It’s a very confusing graphic, but I think the line might intead represent the area of space in which Alok’s team operates - it starts to animate as “Alpha Squad” is highlighted amongst the list of available S31 squads. But it certainly looks like a border, so it’s ambiguous, at best. The entire sequence is also questionable, considering it contains “footage” of Georgiou in the 32nd Century.

This is a TOS-style stardate, but back then stardates were pretty much random, and given the state of stardates these days, tells us absolutely nothing about when this is set

At least one online Stardate calculator spits out a result of April 17, 2324, which sounds about right based on Garrett’s age. I have no idea what formula is being applied to get that result, though.

While civil unrest and secession from the Federation would lead to chaos and Tasha escaping from the colony around 2353, that collapse wouldn’t start until around 2339.

A barely-related sidenote: I firmly believe that Turkana IV was an independent human colony, and never a Federation member. In “Legacy,” Picard says that the planet “severed relations” with the Federation, which doesn’t necessarily mean they seceded (and, really, the word “seceded” was right there for them to use). This would also help explain why the Federation allowed the planetary government to collapse the way that it did, with no apparent intervention.

I would be happy to see these characters again, under a different writer/director team.

I think I liked it more than you did, but there are few criticisms I’ve seen that I don’t agree with. Enjoying it does not necessarily equate with thinking it was good, you know?

I’m hearing that she may have come aboard at Michelle Yeoh’s request.

I’ve always thought that the Terran Empire is inherently abusive, and that Georgiou is best used as the ultimate nature vs. nurture case study.

In that sense, I was glad to see some aspects of her younger life explored. I find this “Hunger Games”-esque concept at least more interesting than the “revenge-seeking ex-lover” part of it, which was a lot less compelling to me.

I’m guessing that this is something they do if the previous emperor dies of natural causes or willingly abdicates.

I can’t remember how many candidates they said there were, but I assume each one is sponsored by some kind of nobility within the Empire.

With both The Hunger Games and the Terrans being inspired by the Roman Empire, I didn’t think it was entirely out of left field (with the caveat that the Mirror Universe is a very silly place).

Who was that hologram lady supposed to be at the end? She looks vaguely familiar but I couldn’t place her.

That was, unexpectedly, the legendary Jamie Lee Curtis.

LOL my guess - and it’s only a guess - is that this is what happens when the previous Emperor either dies or abdicates willingly.

Which would make it maybe the seventh most ridiculous thing about the Terran Empire.

Okay, I enjoyed it as a breezy action movie.

I had a goofy grin on my face for much of the first act - it had style, which sort of fell away over time, which was unfortunate.

The Georgiou story is by far the strongest aspect of the movie - long-lost lover seeking revenge isn’t the most original of plots, but it’s executed well enough, and Michelle Yeoh is pretty terrific as expected. I particularly liked her line about a monster with a conscience being useless.

The middle act probably should have been simplified. The mole storyline was a distraction that prevented us from getting to know the new characters, and every single one of them suffers for it. Garrett’s storyline needed more meat, and I would have appreciated more time spent with Alok beyond just the exposition of his backstory. Quasi skates by on Sam Richardson’s considerable charm alone.

All in all, I think the movie is worth the time, even if no one’s going to call it “deep” any time soon. I’d certainly be interested in watching them go to Turkana IV.

RIP Zeph. You were too beautiful for this world.