sbf@tuta.com | codeberg.org/sbf | @sbf:flieger.chat

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  • 17 Comments
Joined 6 months ago
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Cake day: November 5th, 2024

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  • Are you using some data source to determine commonality of some phones versus others?

    Not at first, nope. That’s what I meant when I said I “eyeballed” it, lol. However, thanks to @lvxferre@mander.xyz, I have access to PHOIBLE’s list of the most common sound segments! As such, I have slightly modified the phonology since posting.

    In the same vein, are you taking into account any metrics of difficulty in production?

    Yes… if you count me pronouncing it and being like “Eh, no. That’s no good.” As I’ve only ever made artlangs, I wasn’t aware that such a thing existed. Is there a “standard,” or should I try to whip something up?

    One objectively-derived thing I AM doing is trying to reduce sliding with sonorants and vowels. The phonotactics shown in the post are, like the phonology, now outdated.

    but you could also simply make all stops voiced

    That would force listeners to become familiar with distinguishing aspiration, no? The point was to allow for some variability. Sure, that might muddy the waters between speakers from vastly different phonological backgrounds, but it ensure the same language can be understood among those who speak similar languages. Now, that isn’t really the point of a global lingua franca, but the waters would’ve potentially already been muddied with just a voice or aspiration distinction.

    have you considered, from an information theoretical perspective, how many phones should be in the inventory?

    More than Toki Pona! I have no “objective” way of deciding this, but I think I’ve found a nice amount; it’s not too many, not too few.

    And a final note: This may be strange, but I love your syntax, lol. Due to my constant reading of old literature, I, inordinately, love, say, a relative clause—or perhaps an aside—to break up the flow of a sentence.










  • Please no Google. 🙁

    I agree, lol. I dislike it but I’m not opposed to using it if others prefer it.

    And yes, I find Esperanto very Eurocentric. Also, I recently conducted a study on Toki Pona as a lingua franca and found that, due to its utter simplicity, it worked very well for multi-national friend groups and communities but was an utter failure in more formal or political areas. I’d like to make something at least somewhat inspired by Toki Pona but more suited for both of these use-cases.